Pat McGrath, Viseart, Hourglass; these are brands that seem to knock it out of the park more often than not.
from Temptalia https://ift.tt/2EQ6D3s
Pat McGrath, Viseart, Hourglass; these are brands that seem to knock it out of the park more often than not.
from Temptalia https://ift.tt/2EQ6D3s

MAC Spring Bling High-Light Powder ($30.00 for 0.31 oz.) is a muted, medium-dark, reddish-brown with faint golden pearl. The overspray was strong, but I tried to get as much off of the powder by taking a large powder brush, swirling and swirling, and then taking another brush to get the loosened powder into a trash can before actually swatching and applying. I even took the back of a brush and dug out a divot in my pan to see if there really were fine shimmers in it, and I still saw them–very subtly but there.
The powder ends up looking more like a more typical satin-finish bronzer, so it might be a very subtle highlighter on medium-tan and deeper skin tones but will add some warmth and/or color along with a subtle glow (so at least it’s in “highlighter” territory!). It wasn’t a “sheer” layer of color at all; try mostly opaque and buildable. The sheen it gave was incredibly subtle, and I think the natural finish of my skin (normal at the moment) was doing more lifting than the product itself. The texture, though, is the high point of the product: velvety, creamy, and smooth without being powdery–it’s much richer in feel than most of MAC’s powder-based products (which tend to be firmer/stiffer, not necessarily in a bad way!). It wore well for eight hours on me before fading noticeably.
$35.50/0.35 oz. – $101.43 Per Ounce
It’s supposed to have a “sheer veil of colour” that “blends effortlessly,” but it is still labeled as a “highlighter.” Most, if not at all (depending on the shade, of the shimmer is an overspray (as is the gradient effect), and this is in line with this formula — MAC’s “High-Light Powder” has typically been over-designed with a more underwhelming product underneath. It’s one of the most confusing formulas MAC has in their arsenal, because it really doesn’t jive with the expectations they set with the overspray nor the product’s name. It’s too bad they didn’t pull out their Blush Ombre formula from years past.
It’s just not at all what anyone would expect with a formula name of “High-Light Powder” nor with how it appears in the pan (upon purchase). Most of the iterations I’ve come across are more blush-like in color with semi-matte to matte finishes that really mattify the skin rather than bring in any luminosity. The colors have ranged from pale pink to brown to coral. Even Marine Life was nowhere near a highlighter, which I recall being one of the more covetable MAC products of years gone by.
Browse all of our MAC High-Light Powder swatches.
Talc , Zea Mays (Corn) Starch , Dimethicone , Octyldodecyl Stearoyl Stearate , Zinc Stearate , Pentaerythrityl Tetraisostearate , Rosa Canina (Rose Hips) Fruit Extract , Ginkgo Biloba Leaf Extract , Acrylates/Octylacrylamide Copolymer , Isostearyl Alcohol , Zea Mays (Corn) Oil , Tetrasodium Edta , Potassium Sorbate , Chlorphenesin , [+/- Mica , Titanium Dioxide (Ci 77891) , Iron Oxides (Ci 77491, Ci 77492, Ci 77499) , Bismuth Oxychloride (Ci 77163) , Chromium Oxide Greens (Ci 77288) , Ferric Ferrocyanide (Ci 77510) , Red 6 (Ci 15850) , Red 7 Lake (Ci 15850) , Red 30 Lake (Ci 73360) , Red 33 (Ci 17200) , Ultramarines (Ci 77007) , Yellow 5 Lake (Ci 19140)]

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder

MAC Spring Bling High-Light Powder
from Temptalia https://ift.tt/2SH9Lm4

Wet ‘n’ Wild Bed of Roses Color Icon Eyeshadow Quad ($2.99 for 0.16 oz.) is a new, limited edition set of four shades–two shimmers, two mattes. Per the brand, they can be used wet or dry, which I did not find to be true with the mattes–the mattes turned into stiff, un-blendable powders used dry. At most, you could use a thin, angled brush to stamp it into place, though you’ll create a hard surface on the pan if you use a damp/wet brush directly in the pan. It was fine to use the shimmery shades with a wet brush (and it didn’t affect the surface) and using them did improve their pigmentation and adhesion. Bed of thorns was more like it!

Bed of Roses #1 is a muted, light-medium plum with warm undertones and a sparkling, frosted finish. It had larger particles of shimmer that emphasized my skin texture more, though it wasn’t thick. The texture was drier, more loosely-pressed and prone to fallout during application. It had semi-opaque pigmentation applied dry and opaque coverage applied wet. It stayed on well for six hours before fading noticeably on me.
–
The formula is supposed to be “powerfully pigmented” with a “butter-soft” texture that “glides on like a dream.” The majority of the eyeshadows are on the drier side, sometimes feeling loosely pressed and other times more chalk-like and truly dry to the point where a primer became a must for getting good adhesion and wear out of the formula. Most of the matte shades were quite pigmented, and I found they actually applied better to bare skin than some of the shimmers, which often appeared faded and muted in practice compared to how they appeared in the pan. The pigmentation varied from decent to mostly opaque depending on the shade, and the wear was typically between five and seven hours on me.
I did not keep most of the previously-released trios and palettes from the brand as mine, but when I compared 2018’s formula to the prior one (and mine are likely five or more years old), the previous formula was far better for their shimmers–slightly more slip, creamier in feel, and typically more pigmented and true-to-color on the lid. I think the mattes, overall, are improved as they are more blendable and pigmented on the lid.
Browse all of our Wet ‘n’ Wild Color Icon Eyeshadow (2018) swatches.
Synthetic Fluorphlogopite, Dimethicone, Silica, Caprylic/Capric Triglyceride, Boron Nitride, Talc, Magnesium Myristate, Trimethylsiloxysilicate, Simmondsia Chinensis (Jojoba) Seed Oil, Octyldodecyl Stearoyl Stearate, Microcrystalline Cellulose, Phenoxyethanol, Caprylyl Glycol, Polysorbate 20, Phytosteryl Macadamiate, Ethylhexylglycerin, Hexylene Glycol, Lauroyl Lysine, Sorbitan Stearate, o-Cymen-5-ol, Water/Eau, Magnesium Aluminum Silicate, Triethoxycaprylylsilane, Ethylene/Propylene/Styrene Copolymer, Butylene/Ethylene/Styrene Copolymer, Polyacrylamide, Tocopheryl Acetate, C13-14 Isoparaffin, Tin Oxide, Laureth-7, Tocopherol, [+/- (MAY CONTAIN/PEUT CONTENIR): Red 40 Lake/CI 16035, Ultramarines/CI 77007, Blue 1 Lake/CI 42090, Black 2/CI 77266, Titanium Dioxide/CI 77891, Mica, Manganese Violet/CI 77742, Iron Oxides/CI 77491, CI 77492, CI 77499, Carmine/CI 75470].

Bed of Roses #2 is a medium-dark, reddish copper with warm undertones and a frosted finish. It had good pigmentation applied dry, though it didn’t intensify much when used wet and wasn’t as easy to work with when I tried to blend it out. The texture was drier and a bit more firmly pressed in the pan, but I was able to work with it enough to blend out some of the edges. It lasted for six hours on me before it started to fade visibly.
–
The formula is supposed to be “powerfully pigmented” with a “butter-soft” texture that “glides on like a dream.” The majority of the eyeshadows are on the drier side, sometimes feeling loosely pressed and other times more chalk-like and truly dry to the point where a primer became a must for getting good adhesion and wear out of the formula. Most of the matte shades were quite pigmented, and I found they actually applied better to bare skin than some of the shimmers, which often appeared faded and muted in practice compared to how they appeared in the pan. The pigmentation varied from decent to mostly opaque depending on the shade, and the wear was typically between five and seven hours on me.
I did not keep most of the previously-released trios and palettes from the brand as mine, but when I compared 2018’s formula to the prior one (and mine are likely five or more years old), the previous formula was far better for their shimmers–slightly more slip, creamier in feel, and typically more pigmented and true-to-color on the lid. I think the mattes, overall, are improved as they are more blendable and pigmented on the lid.
Browse all of our Wet ‘n’ Wild Color Icon Eyeshadow (2018) swatches.
Synthetic Fluorphlogopite, Dimethicone, Silica, Caprylic/Capric Triglyceride, Boron Nitride, Talc, Magnesium Myristate, Trimethylsiloxysilicate, Simmondsia Chinensis (Jojoba) Seed Oil, Octyldodecyl Stearoyl Stearate, Microcrystalline Cellulose, Phenoxyethanol, Caprylyl Glycol, Polysorbate 20, Phytosteryl Macadamiate, Ethylhexylglycerin, Hexylene Glycol, Lauroyl Lysine, Sorbitan Stearate, o-Cymen-5-ol, Water/Eau, Magnesium Aluminum Silicate, Triethoxycaprylylsilane, Ethylene/Propylene/Styrene Copolymer, Butylene/Ethylene/Styrene Copolymer, Polyacrylamide, Tocopheryl Acetate, C13-14 Isoparaffin, Tin Oxide, Laureth-7, Tocopherol, [+/- (MAY CONTAIN/PEUT CONTENIR): Red 40 Lake/CI 16035, Ultramarines/CI 77007, Blue 1 Lake/CI 42090, Black 2/CI 77266, Titanium Dioxide/CI 77891, Mica, Manganese Violet/CI 77742, Iron Oxides/CI 77491, CI 77492, CI 77499, Carmine/CI 75470].

Bed of Roses #3 is a blackened purple with warm undertones and a matte finish. It had an incredibly stiff, drier texture that I had to jab at to loosen powder off the surface for application. It was difficult to diffuse the edges of dry, and it was impossible to blend it out with a wet brush–I could only use it as an eyeliner stamped into place. It had medium coverage that was buildable to semi-opaque coverage, but I was incapable of getting the edge to soften and gave up after a solid try (I want some of the struggle to convey–I don’t want to blend out one shade for 30 minutes). If you want to use this wet, be sure to pick up product first, then spritz your brush or dip into the wetting agent, as the pan hardened immediately after being touched by a lightly dampened brush.
–
The formula is supposed to be “powerfully pigmented” with a “butter-soft” texture that “glides on like a dream.” The majority of the eyeshadows are on the drier side, sometimes feeling loosely pressed and other times more chalk-like and truly dry to the point where a primer became a must for getting good adhesion and wear out of the formula. Most of the matte shades were quite pigmented, and I found they actually applied better to bare skin than some of the shimmers, which often appeared faded and muted in practice compared to how they appeared in the pan. The pigmentation varied from decent to mostly opaque depending on the shade, and the wear was typically between five and seven hours on me.
I did not keep most of the previously-released trios and palettes from the brand as mine, but when I compared 2018’s formula to the prior one (and mine are likely five or more years old), the previous formula was far better for their shimmers–slightly more slip, creamier in feel, and typically more pigmented and true-to-color on the lid. I think the mattes, overall, are improved as they are more blendable and pigmented on the lid.
Browse all of our Wet ‘n’ Wild Color Icon Eyeshadow (2018) swatches.
Synthetic Fluorphlogopite, Dimethicone, Silica, Caprylic/Capric Triglyceride, Boron Nitride, Talc, Magnesium Myristate, Trimethylsiloxysilicate, Simmondsia Chinensis (Jojoba) Seed Oil, Octyldodecyl Stearoyl Stearate, Microcrystalline Cellulose, Phenoxyethanol, Caprylyl Glycol, Polysorbate 20, Phytosteryl Macadamiate, Ethylhexylglycerin, Hexylene Glycol, Lauroyl Lysine, Sorbitan Stearate, o-Cymen-5-ol, Water/Eau, Magnesium Aluminum Silicate, Triethoxycaprylylsilane, Ethylene/Propylene/Styrene Copolymer, Butylene/Ethylene/Styrene Copolymer, Polyacrylamide, Tocopheryl Acetate, C13-14 Isoparaffin, Tin Oxide, Laureth-7, Tocopherol, [+/- (MAY CONTAIN/PEUT CONTENIR): Red 40 Lake/CI 16035, Ultramarines/CI 77007, Blue 1 Lake/CI 42090, Black 2/CI 77266, Titanium Dioxide/CI 77891, Mica, Manganese Violet/CI 77742, Iron Oxides/CI 77491, CI 77492, CI 77499, Carmine/CI 75470].

Bed of Roses #4 is a deep burgundy with warm undertones and a matte finish. It had good color coverage applied dry and wet–I didn’t find the intensity actually changed, it just because unworkable when used wet as it did not move or blend out. The texture was fairly soft but could have been more blendable and had less fallout during application. I noticed signs of fading after six and a half hours of wear.
–
The formula is supposed to be “powerfully pigmented” with a “butter-soft” texture that “glides on like a dream.” The majority of the eyeshadows are on the drier side, sometimes feeling loosely pressed and other times more chalk-like and truly dry to the point where a primer became a must for getting good adhesion and wear out of the formula. Most of the matte shades were quite pigmented, and I found they actually applied better to bare skin than some of the shimmers, which often appeared faded and muted in practice compared to how they appeared in the pan. The pigmentation varied from decent to mostly opaque depending on the shade, and the wear was typically between five and seven hours on me.
I did not keep most of the previously-released trios and palettes from the brand as mine, but when I compared 2018’s formula to the prior one (and mine are likely five or more years old), the previous formula was far better for their shimmers–slightly more slip, creamier in feel, and typically more pigmented and true-to-color on the lid. I think the mattes, overall, are improved as they are more blendable and pigmented on the lid.
Browse all of our Wet ‘n’ Wild Color Icon Eyeshadow (2018) swatches.
Synthetic Fluorphlogopite, Dimethicone, Silica, Caprylic/Capric Triglyceride, Boron Nitride, Talc, Magnesium Myristate, Trimethylsiloxysilicate, Simmondsia Chinensis (Jojoba) Seed Oil, Octyldodecyl Stearoyl Stearate, Microcrystalline Cellulose, Phenoxyethanol, Caprylyl Glycol, Polysorbate 20, Phytosteryl Macadamiate, Ethylhexylglycerin, Hexylene Glycol, Lauroyl Lysine, Sorbitan Stearate, o-Cymen-5-ol, Water/Eau, Magnesium Aluminum Silicate, Triethoxycaprylylsilane, Ethylene/Propylene/Styrene Copolymer, Butylene/Ethylene/Styrene Copolymer, Polyacrylamide, Tocopheryl Acetate, C13-14 Isoparaffin, Tin Oxide, Laureth-7, Tocopherol, [+/- (MAY CONTAIN/PEUT CONTENIR): Red 40 Lake/CI 16035, Ultramarines/CI 77007, Blue 1 Lake/CI 42090, Black 2/CI 77266, Titanium Dioxide/CI 77891, Mica, Manganese Violet/CI 77742, Iron Oxides/CI 77491, CI 77492, CI 77499, Carmine/CI 75470].

Wet ‘n’ Wild Bed of Roses Color Icon Eyeshadow Quad

Wet ‘n’ Wild Bed of Roses Color Icon Eyeshadow Quad

Wet ‘n’ Wild Bed of Roses Color Icon Eyeshadow Quad

Wet ‘n’ Wild Bed of Roses Color Icon Eyeshadow Quad

Wet ‘n’ Wild Bed of Roses Color Icon Eyeshadow Quad

Wet ‘n’ Wild Bed of Roses #1 Color Icon Eyeshadow (2018)

Wet ‘n’ Wild Bed of Roses #1 Color Icon Eyeshadow (2018)

Wet ‘n’ Wild Bed of Roses #2 Color Icon Eyeshadow (2018)

Wet ‘n’ Wild Bed of Roses #2 Color Icon Eyeshadow (2018)

Wet ‘n’ Wild Bed of Roses #3 Color Icon Eyeshadow (2018)

Wet ‘n’ Wild Bed of Roses #3 Color Icon Eyeshadow (2018)

Wet ‘n’ Wild Bed of Roses #4 Color Icon Eyeshadow (2018)

Wet ‘n’ Wild Bed of Roses #4 Color Icon Eyeshadow (2018)

Wet ‘n’ Wild Bed of Roses Color Icon Eyeshadow Quad

Wet ‘n’ Wild Bed of Roses Color Icon Eyeshadow Quad

Wet ‘n’ Wild Bed of Roses Color Icon Eyeshadow Quad

Wet ‘n’ Wild Bed of Roses Color Icon Eyeshadow Quad

Wet ‘n’ Wild Bed of Roses Color Icon Eyeshadow Quad

Wet ‘n’ Wild Bed of Roses #1 Color Icon Eyeshadow (2018)

Wet ‘n’ Wild Bed of Roses #1 Color Icon Eyeshadow (2018)

Wet ‘n’ Wild Bed of Roses #2 Color Icon Eyeshadow (2018)

Wet ‘n’ Wild Bed of Roses #2 Color Icon Eyeshadow (2018)

Wet ‘n’ Wild Bed of Roses #3 Color Icon Eyeshadow (2018)

Wet ‘n’ Wild Bed of Roses #3 Color Icon Eyeshadow (2018)

Wet ‘n’ Wild Bed of Roses #4 Color Icon Eyeshadow (2018)

Wet ‘n’ Wild Bed of Roses #4 Color Icon Eyeshadow (2018)
from Temptalia https://ift.tt/2HhuWJe
Did a product catch your eye this week? Check out dupes for the most loved and most wanted products between
February 26th and March 4th before you buy!
from Temptalia https://ift.tt/2VJKHgn

MAC Cherry Mochi Lipglass ($17.50 for 0.1 oz.) is a raspberry pink with cool, blue undertones and a cream finish. It had semi-opaque pigment in a single layer, which applied evenly without streaking, but there was slight product that settled into my lip lines. The texture was light-medium in thickness with moderate tackiness, so it has a heavier feel than most modern lipglosses do, though I find that it offers better longevity (five and a half hours) and overall comfort (it was hydrating).
$17.50/0.1 oz. – $175.00 Per Ounce
The Lipglass formula is supposed to be “pigmented, very shiny and can impart subtle or dramatic color” that can be worn “on its own, over lip pencil or lipstick” and will “condition lips.” MAC could use an update on the description as some shades are more pigmented than others but several are sheerer and likely intended to be that way. The formula has a very glossy, high-shine finish with a light-medium weight and moderate tackiness.
I have found that newer Lipglasses (over the last couple of years) are smoother and not quite as tacky as the formula was many years ago. They wear from three to six hours on me and are usually lightly hydrating. MAC recently updated the shade range and packaging for the range (though the formula was said to be unchanged), so worth noting is that with that packaging change came a reduction in quantity to 0.10 fl. oz. (was 0.17 fl. oz.), which may matter for some but not everyone.
Browse all of our MAC Lipglass swatches.
Hydrogenated Polyisobutene , Simmondsia Chinensis (Jojoba) Seed Oil , Octyldodecanol , Copernicia Cerifera (Carnauba) Wax Copernicia Cerifera Cera Cire De Carnauba , Tocopheryl Acetate , Cocos Nucifera (Coconut) Oil , Orbignya Oleifera (Babassu) Seed Oil , Prunus Armeniaca (Apricot) Kernel Oil , Acrylates Copolymer , Alumina , Aluminum Calcium Sodium Silicate , Calcium Aluminum Borosilicate , Calcium Sodium Borosilicate , Silica , Synthetic Fluorphlogopite , Tin Oxide , Polyethylene Terephthalate , Propylene Carbonate , Disteardimonium Hectorite , Ethylhexyl Hydroxystearate , Vanillin , Phenoxyethanol , [+/- Mica , Titanium Dioxide (Ci 77891) , Iron Oxides (Ci 77491) , Iron Oxides (Ci 77492) , Iron Oxides (Ci 77499) , Bismuth Oxychloride (Ci 77163) , Blue 1 Lake (Ci 42090) , Bronze Powder (Ci 77400) , Carmine (Ci 75470) , Copper Powder (Ci 77400) , Red 6 (Ci 15850) , Red 6 Lake (Ci 15850) , Red 7 Lake (Ci 15850) , Red 21 Lake (Ci 45380) , Red 28 Lake (Ci 45410) , Red 30 Lake (Ci 73360) , Red 33 Lake (Ci 17200) , Yellow 5 (Ci 19140) , Yellow 5 Lake (Ci 19140) , Yellow 6 Lake (Ci 15985)]

MAC For the Frill of It Lipglass ($17.50 for 0.1 oz.) is a pale pink with subtle, warm undertones and fine, multi-colored pearl. It had semi-sheer color coverage in one layer, which applied much more evenly than I expected, and while there was some product in my lip lines, it was so little compared to the “norm” for this type of milky shade. From a normal viewing distance, I didn’t notice the settling at all. The consistency was moderately tacky, light-medium in thickness and heavier than the typical gloss but didn’t feel glue-like or truly heavy to me. It wore nicely for four hours and was moisturizing while worn.
$17.50/0.1 oz. – $175.00 Per Ounce
The Lipglass formula is supposed to be “pigmented, very shiny and can impart subtle or dramatic color” that can be worn “on its own, over lip pencil or lipstick” and will “condition lips.” MAC could use an update on the description as some shades are more pigmented than others but several are sheerer and likely intended to be that way. The formula has a very glossy, high-shine finish with a light-medium weight and moderate tackiness.
I have found that newer Lipglasses (over the last couple of years) are smoother and not quite as tacky as the formula was many years ago. They wear from three to six hours on me and are usually lightly hydrating. MAC recently updated the shade range and packaging for the range (though the formula was said to be unchanged), so worth noting is that with that packaging change came a reduction in quantity to 0.10 fl. oz. (was 0.17 fl. oz.), which may matter for some but not everyone.
Browse all of our MAC Lipglass swatches.
Hydrogenated Polyisobutene , Simmondsia Chinensis (Jojoba) Seed Oil , Octyldodecanol , Copernicia Cerifera (Carnauba) Wax Copernicia Cerifera Cera Cire De Carnauba , Tocopheryl Acetate , Cocos Nucifera (Coconut) Oil , Orbignya Oleifera (Babassu) Seed Oil , Prunus Armeniaca (Apricot) Kernel Oil , Acrylates Copolymer , Alumina , Aluminum Calcium Sodium Silicate , Calcium Aluminum Borosilicate , Calcium Sodium Borosilicate , Silica , Synthetic Fluorphlogopite , Tin Oxide , Polyethylene Terephthalate , Propylene Carbonate , Disteardimonium Hectorite , Ethylhexyl Hydroxystearate , Vanillin , Phenoxyethanol , [+/- Mica , Titanium Dioxide (Ci 77891) , Iron Oxides (Ci 77491) , Iron Oxides (Ci 77492) , Iron Oxides (Ci 77499) , Bismuth Oxychloride (Ci 77163) , Blue 1 Lake (Ci 42090) , Bronze Powder (Ci 77400) , Carmine (Ci 75470) , Copper Powder (Ci 77400) , Red 6 (Ci 15850) , Red 6 Lake (Ci 15850) , Red 7 Lake (Ci 15850) , Red 21 Lake (Ci 45380) , Red 28 Lake (Ci 45410) , Red 30 Lake (Ci 73360) , Red 33 Lake (Ci 17200) , Yellow 5 (Ci 19140) , Yellow 5 Lake (Ci 19140) , Yellow 6 Lake (Ci 15985)]

MAC Heartmelter Lipglass ($17.50 for 0.1 oz.) is a muted, medium mauve with subtle, warm undertones and a cream finish. The pigmentation was nearly opaque in a single layer, and the color went on evenly without emphasizing my lip lines, but it looked bubbly–like there were little pockets where color didn’t come through. It had a light-medium thick texture that was moderately tacky but didn’t feel so heavy that it was uncomfortable to wear. The gloss stayed on well for five hours and was hydrating over time.
$17.50/0.1 oz. – $175.00 Per Ounce
The Lipglass formula is supposed to be “pigmented, very shiny and can impart subtle or dramatic color” that can be worn “on its own, over lip pencil or lipstick” and will “condition lips.” MAC could use an update on the description as some shades are more pigmented than others but several are sheerer and likely intended to be that way. The formula has a very glossy, high-shine finish with a light-medium weight and moderate tackiness.
I have found that newer Lipglasses (over the last couple of years) are smoother and not quite as tacky as the formula was many years ago. They wear from three to six hours on me and are usually lightly hydrating. MAC recently updated the shade range and packaging for the range (though the formula was said to be unchanged), so worth noting is that with that packaging change came a reduction in quantity to 0.10 fl. oz. (was 0.17 fl. oz.), which may matter for some but not everyone.
Browse all of our MAC Lipglass swatches.
Hydrogenated Polyisobutene , Simmondsia Chinensis (Jojoba) Seed Oil , Octyldodecanol , Copernicia Cerifera (Carnauba) Wax Copernicia Cerifera Cera Cire De Carnauba , Tocopheryl Acetate , Cocos Nucifera (Coconut) Oil , Orbignya Oleifera (Babassu) Seed Oil , Prunus Armeniaca (Apricot) Kernel Oil , Acrylates Copolymer , Alumina , Aluminum Calcium Sodium Silicate , Calcium Aluminum Borosilicate , Calcium Sodium Borosilicate , Silica , Synthetic Fluorphlogopite , Tin Oxide , Polyethylene Terephthalate , Propylene Carbonate , Disteardimonium Hectorite , Ethylhexyl Hydroxystearate , Vanillin , Phenoxyethanol , [+/- Mica , Titanium Dioxide (Ci 77891) , Iron Oxides (Ci 77491) , Iron Oxides (Ci 77492) , Iron Oxides (Ci 77499) , Bismuth Oxychloride (Ci 77163) , Blue 1 Lake (Ci 42090) , Bronze Powder (Ci 77400) , Carmine (Ci 75470) , Copper Powder (Ci 77400) , Red 6 (Ci 15850) , Red 6 Lake (Ci 15850) , Red 7 Lake (Ci 15850) , Red 21 Lake (Ci 45380) , Red 28 Lake (Ci 45410) , Red 30 Lake (Ci 73360) , Red 33 Lake (Ci 17200) , Yellow 5 (Ci 19140) , Yellow 5 Lake (Ci 19140) , Yellow 6 Lake (Ci 15985)]

MAC Cherry Mochi Lipglass

MAC Cherry Mochi Lipglass

MAC Cherry Mochi Lipglass

MAC Cherry Mochi Lipglass

MAC Cherry Mochi Lipglass

MAC Cherry Mochi Lipglass

MAC Cherry Mochi Lipglass

MAC Cherry Mochi Lipglass

MAC For the Frill of It Lipglass

MAC For the Frill of It Lipglass

MAC For the Frill of It Lipglass

MAC For the Frill of It Lipglass

MAC For the Frill of It Lipglass

MAC For the Frill of It Lipglass

MAC For the Frill of It Lipglass

MAC For the Frill of It Lipglass

MAC For the Frill of It Lipglass

MAC Heartmelter Lipglass

MAC Heartmelter Lipglass

MAC Heartmelter Lipglass

MAC Heartmelter Lipglass

MAC Heartmelter Lipglass

MAC Heartmelter Lipglass

MAC Heartmelter Lipglass

MAC Heartmelter Lipglass

MAC Cherry Mochi Lipglass

MAC Cherry Mochi Lipglass

MAC Cherry Mochi Lipglass

MAC Cherry Mochi Lipglass

MAC Cherry Mochi Lipglass

MAC Cherry Mochi Lipglass

MAC Cherry Mochi Lipglass

MAC Cherry Mochi Lipglass

MAC For the Frill of It Lipglass

MAC For the Frill of It Lipglass

MAC For the Frill of It Lipglass

MAC For the Frill of It Lipglass

MAC For the Frill of It Lipglass

MAC For the Frill of It Lipglass

MAC For the Frill of It Lipglass

MAC For the Frill of It Lipglass

MAC For the Frill of It Lipglass

MAC Heartmelter Lipglass

MAC Heartmelter Lipglass

MAC Heartmelter Lipglass

MAC Heartmelter Lipglass

MAC Heartmelter Lipglass

MAC Heartmelter Lipglass

MAC Heartmelter Lipglass

MAC Heartmelter Lipglass
from Temptalia https://ift.tt/2C4WyhB

Switch up your look as often as the tide changes with this limited-edition eyeshadow palette stocked with 4 high-impact glitter treasure toppers & 8 creamy powder shadows to create endless looks for eye tide or glow tide.

Tarte High Tides & Good Vibes Eyeshadow Palette

Tarte High Tides & Good Vibes Eyeshadow Palette

Tarte High Tides & Good Vibes Eyeshadow Palette

Tarte High Tides & Good Vibes Eyeshadow Palette
from Temptalia https://ift.tt/2UlXNjt

MAC Fleur Real High-Light Powder ($30.00 for 0.31 oz.) is a pale pink with subtle, warm undertones and a matte finish. It had medium coverage, which was buildable to semi-opaque coverage if you have the skin tone it’ll show up on. At best, this particular shade could be used as a brightening powder for select skin tones (though it’s quite pigmented) or a very subtle blush on very fair skin tones but doesn’t do much to highlight. It had an incredibly velvety, finely-milled texture that was dense, lightly creamy, and blendable, though. As a barely-there blush on my skin tone, it lasted for eight hours on me and was very smoothing of skin texture/pores.
It’s supposed to have a “sheer veil of colour” that “blends effortlessly,” but it is still labeled as a “highlighter.” Most, if not at all (depending on the shade, of the shimmer is an overspray (as is the gradient effect), and this is in line with this formula — MAC’s “High-Light Powder” has typically been over-designed with a more underwhelming product underneath. It’s one of the most confusing formulas MAC has in their arsenal, because it really doesn’t jive with the expectations they set with the overspray nor the product’s name. It’s too bad they didn’t pull out their Blush Ombre formula from years past.
It’s just not at all what anyone would expect with a formula name of “High-Light Powder” nor with how it appears in the pan (upon purchase). Most of the iterations I’ve come across are more blush-like in color with semi-matte to matte finishes that really mattify the skin rather than bring in any luminosity. The colors have ranged from pale pink to brown to coral. Even Marine Life was nowhere near a highlighter, which I recall being one of the more covetable MAC products of years gone by.
$35.50/0.35 oz. – $101.43 Per Ounce
It’s supposed to have a “sheer veil of colour” that “blends effortlessly,” but it is still labeled as a “highlighter.” Most, if not at all (depending on the shade, of the shimmer is an overspray (as is the gradient effect), and this is in line with this formula — MAC’s “High-Light Powder” has typically been over-designed with a more underwhelming product underneath. It’s one of the most confusing formulas MAC has in their arsenal, because it really doesn’t jive with the expectations they set with the overspray nor the product’s name. It’s too bad they didn’t pull out their Blush Ombre formula from years past.
It’s just not at all what anyone would expect with a formula name of “High-Light Powder” nor with how it appears in the pan (upon purchase). Most of the iterations I’ve come across are more blush-like in color with semi-matte to matte finishes that really mattify the skin rather than bring in any luminosity. The colors have ranged from pale pink to brown to coral. Even Marine Life was nowhere near a highlighter, which I recall being one of the more covetable MAC products of years gone by.
Browse all of our MAC High-Light Powder swatches.
Talc , Zea Mays (Corn) Starch , Dimethicone , Octyldodecyl Stearoyl Stearate , Zinc Stearate , Pentaerythrityl Tetraisostearate , Rosa Canina (Rose Hips) Fruit Extract , Ginkgo Biloba Leaf Extract , Acrylates/Octylacrylamide Copolymer , Isostearyl Alcohol , Zea Mays (Corn) Oil , Tetrasodium Edta , Potassium Sorbate , Chlorphenesin , [+/- Mica , Titanium Dioxide (Ci 77891) , Iron Oxides (Ci 77491, Ci 77492, Ci 77499) , Bismuth Oxychloride (Ci 77163) , Chromium Oxide Greens (Ci 77288) , Ferric Ferrocyanide (Ci 77510) , Red 6 (Ci 15850) , Red 7 Lake (Ci 15850) , Red 30 Lake (Ci 73360) , Red 33 (Ci 17200) , Ultramarines (Ci 77007) , Yellow 5 Lake (Ci 19140)]

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder

MAC Fleur Real High-Light Powder
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